An analysis of the power of persuasion in to his coy mistress by andrew marvell

We would sit down and think which way To walk and pass our long love's day. Thou by the Indian Ganges' side Shouldst rubies find: I by the tide Of Humber would complain.

An analysis of the power of persuasion in to his coy mistress by andrew marvell

To His Coy Mistress Summary Language and tone in To his Coy Mistress From mockery to frustration Marvell's language is as much tied to his voice as to his imagery.
''To His Coy Mistress'' by Andrew Marvell and ''The Unequal Fetters'' by Anne Finch | Essay Example An analysis of to his coy mistress poem in the persuasion of the coy mistress by robert w halli jr September 19, by in Uncategorized New York, NY Phone: To His Coy Mistress - Wikipedia https:

Structure and versification in To his Coy Mistress Closed couplets To his Coy Mistress is a non- stanza ic iambic tetrameter poem rhyming as couplet s. It is a form that lends itself to epigram, irony and satire.

An analysis of the power of persuasion in to his coy mistress by andrew marvell

However, at significant moments the closed couplet form breaks down. The final couplet is technically closed, in that it is a complete sentence in itself, but the first line runs on into the second, so the rhythmic flow carries into the second line, giving a less than neat finish - quite deliberately, since, sense-wise, it is not an achieved solution, but only a hoped for one.

Antithesis Marvell also uses a figurative structure we have not seen so clearly in other metaphysical poems: Again, this developed to be a favourite device with later poets, being part of their epigrammatic turn of mind.

It is a neat way of putting opposites together: So the final couplet is an antithesis: Look at the metre of the last couplet. What do you notice about the stress patterns? Pick out any of the rhymes that seem to you to work well How does this poem compare to the poems of John Donne?

The technical name for a verse, or a regular repeating unit of so many lines in a poem.

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Poetry can be stanzaic or non-stanzaic. A term used of speech rhythms in blank verse; an iambic rhythm is an unstressed, or weak, beat followed by a stressed, or strong, beat. It is a rising metre.

A line of verse consisting of four metrical feet in modern verse or eight feet in classical verse. The device, frequently used at the ends of lines in poetry, where words with the same sound are paired, sometimes for contrast ' for example, 'breath' and 'death'.

A rhyming 2-line unit of verse. Where the surface appearance of something is shown to be not the case, but quite the opposite. Often done for moral or comic purpose.

An analysis of the power of persuasion in to his coy mistress by andrew marvell

An ironic style is when the writer makes fun of naive or self-deceived characters. A genre which ridicules some one or something. It can be poetry, drama or fiction. In literature, words are used in a non-literal sense much of the time, to make the language striking and persuasive.

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Sounds are also carefully arranged to have certain effects.2 Marvell, Andrew () - English poet and satirist best known for his early lyric poems, he was assistant for a time to John Milton and later a member of Parliament.

The poem, “To His Coy Mistress” by Andrew Marvell, is considered a carpe diem (meaning seize the day) kind of poem. The author really gets into the character of a man trying in vain to convince a young lady to engage in a sexual relationship with him.

Sex is a major theme in "To His Coy Mistress," and one can easily read sex into almost any line of the poem. All the sex in the poem happens in the mind of the speaker in a variety of hypothetical. Andrew Marvell’s speaker in “To His Coy Mistress” invokes Petrarchan convention, a poetic mode originating in the fourteenth century in which a male lover uses exaggerated metaphors to appeal to his .


"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (–) either during or just before the English Interregnum (–60).

TO HIS COY MISTRESS HAD we but world enough, and time, This coyness Lady were no crime. We would sit down and think which way To walk, and pass our long love’s day.

To His Coy Mistress - New York Essays